The Right Wrong Number
Additional Info for Reviewers & Staff
I chose to self-publish this book based on my experience publishing my first novel, THE LAST SECOND CHANCE. I applied the lessons I learned from that experience to self-publish THE RIGHT WRONG NUMBER, which included hiring a top-flight formatter and a high-quality graphic designer for the cover, striving for as professional a result as possible.
I hired a professional editor, Cheryl Pellerin, who is also a science writer and author. She was able to give me expert guidance on issues such as narrative, plot and dialogue as well as provide me an exacting edit of my manuscript.
Anita,
I hope you enjoy THE RIGHT WRONG NUMBER as much as you did THE LAST SECOND CHANCE.
Regards,
Jim
Review selection has been put on hold site-wide. Expect an explanation from Amy before the end of August.
1
Editing, Production, Marketing & Sales
Savannah Crowe, a nightmare turned lover from five years earlier, makes a collect call to ex-homicide cop Ed Earl Burch. A Dallas PI working handoff assignments, Burch wonders what would possess this now-married woman to contact him. Savannah claims that she is a suspect in the murder of her financier husband, Jason Crowe, and she wants Burch to find—”that sorry puke husband” of hers or “the guys that fried him.” There’s more to the story that Burch isn’t privy to, such as a million plus missing from Jason’s offshore account.
Jason has been religiously ripping off his mobster clientele. His actions come back to bite him in the derriere when he learns that Savannah is the culprit to his depleted funds. As Savannah becomes a target, Jason oddly goes missing. Burch who takes on the case and shows up at Savannah’s supposed undisclosed location ends up gunning down an assailant. Apparently, someone wants her dead, but who? While it is clear that it is time for Savannah to go underground, Burch madly tries to put whatever puzzling clues he can gather together, especially since things just don’t seem to be adding up. While sleuthing for the truth, plenty of gore punctuated with erotic sex occurs before he gets a hot lead that takes him to the Houston Livestock Show and Rodeo. But any thoughts of finally putting this case to bed go by the wayside when Burch learns that what happened at the show is only a sign of more trouble ahead.
Nesbitt opens the second book of the Earl Burch series with a scene that provides a window not only to Burch’s dangerous line of work but also offers readers a small connection to the Crowe case. Like a well-oiled machine, Nesbitt’s story flows seamlessly from chapter to chapter, producing a continual stream of details to build his driving plot. Of course, front and center of Nesbitt’s narrative is the inimitable Ed Earl Burch who is unlike the well-recognized hard-boiled PI characters of yesteryear. Hammett’s Sam Spade, Chandler’s Philip Marlowe, and Spillane’s Mike Hammer come to mind.
Ed Earl Burch is nothing less than a crazed and snarky X-rated middle-aged PI whose vivid imagination and “foot-in-your-mouth-all-the-way-up-to-your-hips” comments create awkward and sidesplitting situations amid dark comedy, gory scenes, and heated sex. While The Right Wrong Number is a perfect stand-alone, Nesbitt fans know that if you want to get the full impact of Ed Earl Burch, start with The Last Second Chance.
The Right Wrong Number is filled with the latest and greatest of Nesbitt’s Quentin-Tarantino wit mixed with everything gory, despicable, irreverent, and plenty of sex. Indeed, a great combination of mystery and a plain laugh-out-loud read—guaranteed to be a favorite for noir enthusiasts.
The Rundown
Savannah Crowe, a nightmare turned lover from five years earlier, makes a collect call to ex-homicide cop Ed Earl Burch. A Dallas PI working handoff assignments, Burch wonders what would possess this now-married woman to contact him. Savannah claims that she is a suspect in the murder of her financier husband, Jason Crowe, and she wants Burch to find—”that sorry puke husband” of hers or “the guys that fried him.” There’s more to the story that Burch isn’t privy to, such as a million plus missing from Jason’s offshore account.
Jason has been religiously ripping off his mobster clientele. His actions come back to bite him in the derriere when he learns that Savannah is the culprit to his depleted funds. As Savannah becomes a target, Jason oddly goes missing. Burch who takes on the case and shows up at Savannah’s supposed undisclosed location ends up gunning down an assailant. Apparently, someone wants her dead, but who? While it is clear that it is time for Savannah to go underground, Burch madly tries to put whatever puzzling clues he can gather together, especially since things just don’t seem to be adding up. While sleuthing for the truth, plenty of gore punctuated with erotic sex occurs before he gets a hot lead that takes him to the Houston Livestock Show and Rodeo. But any thoughts of finally putting this case to bed go by the wayside when Burch learns that what happened at the show is only a sign of more trouble ahead.
Nesbitt opens the second book of the Earl Burch series with a scene that provides a window not only to Burch’s dangerous line of work but also offers readers a small connection to the Crowe case. Like a well-oiled machine, Nesbitt’s story flows seamlessly from chapter to chapter, producing a continual stream of details to build his driving plot. Of course, front and center of Nesbitt’s narrative is the inimitable Ed Earl Burch who is unlike the well-recognized hard-boiled PI characters of yesteryear. Hammett’s Sam Spade, Chandler’s Philip Marlowe, and Spillane’s Mike Hammer come to mind.
Ed Earl Burch is nothing less than a crazed and snarky X-rated middle-aged PI whose vivid imagination and “foot-in-your-mouth-all-the-way-up-to-your-hips” comments create awkward and sidesplitting situations amid dark comedy, gory scenes, and heated sex. While The Right Wrong Number is a perfect stand-alone, Nesbitt fans know that if you want to get the full impact of Ed Earl Burch, start with The Last Second Chance.
The Recommendation
The Right Wrong Number is filled with the latest and greatest of Nesbitt’s Quentin-Tarantino wit mixed with everything gory, despicable, irreverent, and plenty of sex. Indeed, a great combination of mystery and a plain laugh-out-loud read—guaranteed to be a favorite for noir enthusiasts.
The Rating
Top Pick! 5 Stars (out of five): Freaking amazing. Any agent or publishing house that passed this one up made a big mistake. It was selected by our reviewer as a personal favorite. This is also a nomination for our Novel of the Year award.
The Pros & Cons
Pros: Characterization, Dialogue, Humor, Page Turner, Plot, Steamy Romance, Unique StyleThe Reviewer
The Right Wrong Number
When the phone rings long after midnight, it spells trouble of the lethal kind for Dallas private eye Ed Earl Burch in a gritty and relentless hard-boiled thriller that races from the gleaming towers of Houston to the stark desert mountains of the Texas Big Bend country and northern Mexico.
Burch is a cashiered homicide detective with bad knees, a wounded liver and an empty bank account. He’s been hired to protect an old flame after the disappearance of her husband, a high-flying Houston financier who ripped off his clients, including some deeply unsavory gentlemen from New Orleans.
It’s a simple job that goes wrong fast, plunging Burch into a ruthless contest where nothing and nobody can be trusted. Money and sex tempt him to break his own rules—twin temptations served up by the old flame, a rangy strawberry blonde with a violent temper and a terminal knack for larceny and betrayal.
When his best friend gets murdered by hired muscle in Dallas, Burch blames himself and grimly sets out for vengeance.
Visit The Right Wrong Number‘s website.Author’s Summary
When the phone rings long after midnight, it spells trouble of the lethal kind for Dallas private eye Ed Earl Burch in a gritty and relentless hard-boiled thriller that races from the gleaming towers of Houston to the stark desert mountains of the Texas Big Bend country and northern Mexico.
Burch is a cashiered homicide detective with bad knees, a wounded liver and an empty bank account. He’s been hired to protect an old flame after the disappearance of her husband, a high-flying Houston financier who ripped off his clients, including some deeply unsavory gentlemen from New Orleans.
It’s a simple job that goes wrong fast, plunging Burch into a ruthless contest where nothing and nobody can be trusted. Money and sex tempt him to break his own rules—twin temptations served up by the old flame, a rangy strawberry blonde with a violent temper and a terminal knack for larceny and betrayal.
When his best friend gets murdered by hired muscle in Dallas, Burch blames himself and grimly sets out for vengeance.
Short Description
A phone call in the small hours after midnight lands Dallas PI Ed Earl Burch in a lethal game where nobody can be trusted and everybody wants him dead. That includes the caller, an old flame with a violent temper and a terminal knack for larceny and betrayal.
Catchphrase
Nobody's Hero, Nobody's FoolAwards and Notable Endorsements
"Ruthless and raucous, a no-holds-barred tale perfect for Quentin Tarantino fans, The Right Wrong Number takes readers on a rip-roaring ride through the seedy underbelly of Texas, New Orleans and northern Mexico...The plot is full of surprise twists —including a stunner of an ending — and along the way author Nesbitt riffs hilariously on American culture. No one emerges unscathed and Nesbitt’s writing is so startlingly vivid I found myself rereading entire passages just to savor the black humor and caustic cadence."
-- Carol Bradley, author, LAST CHAIN ON BILLIE
“Jim Nesbitt serves up another raunchy slice of Texas-style revenge and redemption in his latest hard-boiled thriller, THE RIGHT WRONG NUMBER, featuring his scarred and guilt-ridden Dallas PI, Ed Earl Burch. In Burch, Nesbitt has created a colorful, authentic and deeply-flawed character who is nobody’s idea of a hero but also turns out to be nobody’s fool.”
– Robert Ward, author of CATTLE ANNIE AND LITTLE BRITCHES, RED BAKER and THE BEST, BAD DREAM; writer-producer on HILL STREET BLUES and MIAMI VICE
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